Before beginning the practical part of the
workshop, it is important to stress to the group that
the more seriously people approach the exercises, the
more everyone will get out of the training. Remember:
you are trying to simulate situations where there is
tension, fear, discomfort, aggression etc.
Choose a
large open space. Make sure people participating in
the workshop wear loose and comfortable clothes, tie
their hair back and remove all jewellery. This will
prevent accidental injuries during the more vigorous
part of the exercise.
Group
activists into pairs, making sure people in pairs are
roughly the same size as each other. Assign A's and
B's.
Step
1. Person A
sit down, hold your body as stiff as you
can
Person B drag Person A for three metres.
Reverse roles - Person A drag Person B.
Step
2. Now
Person A, as Person B takes hold of you, let your
body go completely limp - like water. Be the
rock/sack of potatoes
low centre of gravity. Now
Person B, try to drag A away. Feel the difference.
Emphasise
that this won't prevent you being dragged away, but
it makes it more difficult for those trying to remove
you. It also lessens any chance of injury and conveys
a less aggressive, more peaceful physical message.
Step
3. Repeat
Step 1 but have people imagine themselves to be a
heavy, immovable rock - firm but not stiff. Give them
a couple of minutes to concentrate quietly and focus
on having a low, heavy centre of gravity and being
immovable. This shows the difficulty of moving
someone who is calm and controlled, heavy yet limp.
Do it
first in silence, then with speech. Let both sides
explore the escalation of provocative speech. The
mover tries to provoke a violent reaction which
signals the loss of the rock's control. The rock
tries to maintain self-control, focus, and an inner
calm. The 'mover' should try to scale up their speech
through gentle persuasion and sarcasm, to weaken,
belittle, provoke and intimidate the rock. Have the
rock answer or speak to the mover. Notice the effect
on concentration.
In
lengthy direct actions where people can be stuck for
hours, knowing how to withdraw mentally from the
discomfort, boredom or chaos can give a lot of inner
calm and strength. Some people find that focusing on
tree-like or rock-like qualities is very helpful, but
it will not work for all. Encourage people to
experiment and figure out what works for them.
If you
are using equipment during an action (placard,
shovel, boat hook etc.), you need to think through
how this may be perceived if a tense situation
arises. If workers or police confront you, drop or
lower anything that you have in your hands. In the
midst of a situation, seemingly innocent items can be
perceived as being potentially dangerous weapons and
you may unwittingly trigger a response accordingly.
The main
point of these exercises is to get people thinking
about their physical control and body language.
Practice of these techniques can help calm tense
situations and has the added benefit of depriving the
media of images of struggling, violence or
aggression. Ask people to consider their own limits.
If an activist is stressed in an action and thinks
he/she may respond violently/aggressively, then that
person should remove themselves from the event.
Voice
Control
As with
body language, it is important to understand the
effects your voice can have in a confrontational
situation. During tense or chaotic moments, the tone
and use of your voice can convey messages beyond the
words that you use. Responding to a person with a
tense, aggressive voice tends to escalate the
situation and push it further toward violence and a
loss of control.
Practice
controlling your voice so that it is CALM, CLEAR,
LOUD AND FIRM but NOT AGGRESSIVE.
Choose a
statement such as 'stop it
you're hurting me'
and experiment with saying it in different tones
(e.g. angry, threatening, frightened, panicky,
authoritatively).
Role
Play
Divide
your group into activists, police, security, workers,
media and observers. Create a scenario such as
'activists are trying to chain themselves to a truck
carrying nuclear fuel rods from a nuclear reactor
compound'. The police/security have to stop the
activists without necessarily knowing where they are
going. Make the following points clear: cameras are
on you at all times; the more people that get to the
truck the better, but even one would be a success. If
you can't get to the truck, try to work in your teams
to ensure that as many people do as possible.
Ask
activists to consciously road test the techniques of
body and voice control. Finish when the objective has
been achieved and your 'media' have interviewed some
of the activists. The observers may not interfere but
they should take note for discussion afterwards if
they see activists moving away from the NVDA ethic
during the role-play. Have someone video the whole
thing if you can so that the group can see how they
looked on screen.
It is
important to leave some time for discussion and
viewing of the footage after the role-play. Observers
can feed in their thoughts on technique and NVDA
based on what they saw. Remember that this is not
about right and wrong - there are many grey areas in
the practice of NVDA and we each have to work out our
own values, limits and personal approach.
Also ask
if there was anything the group noticed activists
doing or not doing? Often people don't look out for
their team. This can be crucial to the success of any
action and the safety of participants so it is worth
emphasising.


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